![]() ![]() It is a 2010 special edition Barbie with a video camera and playback unit embedded in its body a device that allows for the expression of vulnerability, humour, playfulness, and transversality. The device at the centre of the exhibition is a “Video Girl” Barbie doll. A soup out of videos, Barbies, mythologies, mushrooms, clay, leaves and words, and pour it all on the walls. ![]() Vagina was sending signals about what’s good and what’s bad through the active process of digging, firing, shaping feminist narratives. On her phone she had an app installed with white noise. This time the orgasmic sensations in a shared peeing ceremony were very intense. Rhythmic movements of wizards producing magic and soup, in the vastness of the shared energy.Īll the images from witches to churches, coders, queens, mothers, cast bronze appendages, screens, tablets, phones, photo frames, clay structures, and superheroines like Xena were passing by, juicing Barbie DNA with ancestral purification in accelerating decelerating macabre. ![]() Perception was shifting, changing, stretching, no longer able to communicate. Someone proposed the timeline–to meet in the past–’86 and then in the future. ![]()
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